![]() ![]() This feature will optimize our project to work within the ‘Limit’ threshold that is selected here. In this case, the item of specific interest is the checkbox for ‘Low Latency Mode’. If we peer over at the next tab (Preferences > Audio > General) there are some additional settings here for plugin latency compensation. ![]() If we are finding our system is limiting us from getting these buffer settings as low as we’d like, does Logic give us any other options? The good news is yes it does. For computers with less than ideal horse power, extremely low latency at the expense of a project that doesn’t playback properly is no real solution. If our system can’t keep up we are going to get a lot of issues on playback, from clicks and pops in our audio to our session completely crashing mid song. Logically, the more our computer is working to reduce latency the more processing power it’s going to need to access. Why don’t we just always leave this set to the lowest possible buffer setting? Because we really have to work within the parameters that our individual system is going to allow. The general idea is that the lower the buffer setting, the less latency we are going to experience (we can see confirmation of this where it says ‘Resulting Latency’). Here we have a few options to choose from in the drop down menu appropriately labelled ‘I/O Buffer Size’. We can access these settings under Preferences > Audio > Devices. The first thing we want to look at before we start recording are our I/O buffer settings within Logic. In this article I will highlight a few key tips to keep in mind. If you buy via these links, you pay the same, but we receive a small commission that keeps the lights on in the newsroom and helps us to pay the bills.For guitar players, when we plug into an amp simulator this can be especially frustrating if we are used to the feel and response of a real amplifier. Fortunately, Logic Pro X offers a number of different options for dealing with latency. Note: This list includes affiliate links to our partner Thomann. And since everybody loves free stuff, we’ve also included a couple of free alternatives, as well as a couple of mobile apps. ![]() If you don’t own the right tool for the job yet and want to unleash your inner T-Pain, take a look at the list below. Reaper has ReaTune, FL Studio has Pitcher and Tracktion Waveform Pro even comes with Melodyne Essential and AutoTune Access. While Ableton Live doesn’t have one built in just yet, Logic Pro offers both a pitch correction plug-in and a full-blown Flex Pitch engine, and Cubase Pro has VariAudio. That’s why this list includes a couple of entries that don’t necessarily stand for that over-the-top “Cher effect”.īefore you buy, it’s a good idea to check if your DAW already offers a pitch correction tool in the box. Some specialize in drastic pitch quantization with ultra-fast tuning for obvious effects, while others focus on smooth, inaudible adjustments. The effect is so popular that many developers have jumped onto the bandwagon, offering their own interpretations of the effect. If you’re on the hunt for that Auto-Tune effect, you now have many alternatives to the original. The best plug-ins for Auto-Tune effects and pitch correction ![]() first appeared on our German sister site. ![]()
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